"A club opera — a free-fall of feelings on the dancefloor, guided by emotional librettos, exploring the human and biological condition within the ecosystem we inhabit.

Currently in development, the project continues to evolve with ongoing support and a residency at MUSIKTHEATERTAGE WIEN 2023.

"A living, resonating instrument—where kombucha SCOBY becomes sound, scenography, and skin."

Exploring the sonic and visual potential of biomaterials, with kombucha SCOBY at the core, this project transforms the organic, growing material into artificial leather that serves as scenography, costume, and percussion instrument.

Residencies at Make Sound Inter Arts Center and Sound of the Future Sound Art Lab.

"A choreography of sound, movement, and living material—where the body becomes both instrument and resonator."

Currently in development, the project continues to evolve with ongoing support and a residency at Radar, Aarhus in 2025

"A sonic journey through history, landscape, and voice—where past and future merge in resonance."

Set in Kirkjubøur, this piece unfolds across the church, the ruins, and the seashore, weaving field recordings, vocal melodies, and soundscapes. Inspired by the Kingo Hymns, fragmented texts and local stories merge with organic choral voices and synthetic soundscapes, creating a poetic dialogue between heritage and futurism.

Performed at Nordic Music Days 2021, Faroe Islands

"A descent into the rabbit hole—where sound, symbols, and perception bend and dissolve."

Blurring the line between reality and manipulation, the piece merges immersive videoscenography with musical noise, bass-rich bell tones, dissonant vocals, and fragmented speech. Is The Moon A Bell? explores noise as a theme and conspiracy theories as a phenomenon, unfolding in a fluid universe of symbols and synchronicities.

Residency at Åbne Scene, Aarhus 2021

"A sonic and visual exploration of plastic—both its beauty and its burden."

Plastic becomes both material and instrument, its crackling textures shaping the soundscape alongside choral harmonies and electronic beats. Melted and magnified, it shifts from industrial waste to organic form, blurring the line between nature and the synthetic. Through a poetic journey of destruction, transformation, and hope, the piece reflects on plastic’s dual role as necessity and pollution.

Premiere at Den Fynske Opera, Odense 2020 and Det Frie Felts Festival 2021

"An artistic laboratory on plastic—its sound, movement, and presence in the body."

In Macro Plastic: The Laboratory, plastic was explored as both material and metaphor within sound, movement, and sculpture. The process culminated in an installation concert, shaping the foundation for the performance hybrid Macro Plastic, investigating the impact of plastic pollution through a sensory and sonic lens.

Performance at Dynamo, Odense, 2019

"A sonic fragment of plastic’s legacy—reimagined in a new setting."

In Fossil, a scene from Macro Plastic was reinterpreted through sound and movement, exploring the material and sonic textures of plastic. The performance unfolded as an abstract excavation of plastic’s presence, transforming its fragile, crackling sounds into a sensory experience of past, present, and future.

Performance at Global Week at Oil Tank Culture Park, Seoul, South Korea. Curated by the artist collective Arts Incubator.

IndreFugl is a sound work inspired by the 44 bird species observed on Hjelm, blending natural and technological elements to highlight contrasts in the landscape. Installed in Majbølle Nor Bird Tower, the piece invites cyclists and travelers on the Sundruten to pause and experience an expanded reality through sound. By integrating with the existing soundscape, IndreFugl creates a dynamic listening space where nature and human infrastructure meet.

Majbølle Nor Fugletårn 2023-2025

Lavtryk is a site-specific sound installation placed on a bench overlooking the South Funen Archipelago. Using recordings from Faaborg Harbor, the piece explores wind as a musical element, highlighting its contrasts—both gentle and powerful. The installation invites passersby to pause and experience an unexpected moment of sound in nature.

Various locations Faaborg Harbor 2023-2025

Tilstand is a sound piece and a mural, inspired by Herning citizens' reflections on freedom. Based on words submitted by the citizens of Herning about freedom, the duo has composed a new poem reflecting perspectives on freedom - the inner, outer and collective freedom - as seen from Herning in 2022.

Live performance 2022 and release 2025
Mural, Herning 2022 - 2028

A video and sound artwork featuring recorded sound and video from Ísafjörður. The piece explores the shapes and sculptural qualities of ice and the frozen landscape during the winter of 2021-2022.


Exhibited at Outvert Art Space / Gallerí Úthverfa, Ísafjörður, Iceland 2022
Residency at ArtsIceland

A sound installation with a transducer mounted on a window. The composition is created from manipulated recordings of a lark, captured by Odense Å.

FUGL exhibition at the Johannes Larsen Museum, 2019

"A sculptural and sonic exploration of noise, nature, and resonance."

One sculpture amplifies ambient sounds like a seashell, another remains silent, resting in the forest, while the third functions as a speaker, playing a sound piece via QR code. Blending highway noise with crackling leaves, the work shifts between amplifying and transforming the park’s acoustic landscape.

Exhibited at Hollufgård Sculpture Park 2020
Solce Du Monde, Deep Forest Artland, 2021

This artwork explores the contrast between the visible and invisible, the natural and the man-made. It creates a sensory space that questions whether technology can bring us closer to nature.

Natural materials are preserved in a digital realm, engaging with land art’s principles of impermanence. The installation integrates wind, weather, light, and sound into a fictional landscape, where traces of the park subtly emerge in both image and sound.

TICKON - Tranekær International Center for Kunst og Natur, September – October 2020.

Vejr Træk is a sound and visual project created during a residency at the North Atlantic Lighthouse in Hanstholm in 2019. Based on five selected locations, the duo recorded environmental sounds and photographed the landscape, later transforming them into soundscapes and analog artworks. Two local choirs from Thy contributed, one imitating wind sounds and another translating a text into Greenlandic. The work explores the connection between humans and wind through sound and imagery. The Vejr Træk book, featuring the project, is available for free at the lighthouse.

North Atlantic Lighthouse in Hanstholm, 2019

The artwork Under Lag, created for Stevns Symposium 2018, explores the knowledge embedded in limestone blocks. Fascinated by the deep history preserved in the material, the work questions the traces humans leave behind.

Addressing themes of plastic pollution, the piece highlights the paradox of plastic—an invention that revolutionized modern life but now threatens the environment. Stevns Klint stands as a geological record of Earth’s history, raising the question: will plastic layers be visible in the rock formations 3,000 years from now? Under Lag examines the balance between the natural and the artificial, challenging perceptions of what nature truly is.

Stevns Skulpturpark 2019 - 2029